Trüffelschwein.
Berlin.
Issei Steez.
Daiki Suzuki.
Workwear 102.
Sean Connery, 1970.
To Russia With a Black Knit Tie.
Sean Connery and Daniela Bianchi.
The Art of the Lapeled Vest, a Mint Julip, and the Disgruntled Look.*
Sean Connery.
(* Must be the glue.)
Sean Connery and Gina Lollobrigida.
Sometimes, it’s okay to be the most overdressed in the room.
Between Bonds.
Sean Connery in Anthony Sinclair. Woman of Straw, 1964.
Wear ‘Em Long, and Roll ‘Em High 2.
Paul Newman and the Brooks Brothers Polo Collar, by Leo Fuchs.
Wear ‘Em Long, and Roll ‘Em High 1.
Paul Newman and the Brooks Brothers Polo Collar, by Leo Fuchs.
Paul Newman and the Patterned Polo Collar 2.
Graph checks in the Drowning Pool, 1975.
Paul Newman and the Patterned Polo Collar 1.
Candy stripes in the Drowning Pool, 1975.
Short Summer 2.
Mystery Bespoke Tailor (MBT™) shorts in 9oz linen. Tacked double-pleats, DAKS-style elastic adjustable waistband, and cuffed hems. No back pockets.
Short Summer.
Mystery Bespoke Tailor (MBT™) shorts in 9oz linen. Tacked double-pleats, DAKS-style elastic adjustable waistband, and cuffed hems. No back pockets.
And, yes: sometimes worn with casual, unlined cotton or linen jackets.
“
A suit tells the world you are ready for business. A jacket tells the world you are open to fun. For me the ideal jacket should have soft and natural lines and balanced proportions. It should fit you but not constrict you. I do not believe in stiff shoulder pads. That is vanity, not style. Do not make it too tight. If it’s too tight, you will look like a matador. Any time I see a man playing golf or tennis in his jacket, I know he and I could be friends.
— Luciano Barbera
The Country Suit.
Luciano Barbera.
